Get in a spin with Boyle’s Trance

Following the triumph of his opening ceremony for the London 2012 Olympic Games, , Oscar-winning director Danny Boyle returns to the smaller canvas of the big screen.

By The Newsroom
Monday, 1st April 2013, 4:41 pm

Trance is a tricksy psychological thriller, penned by Joe Ahearne and John Hodge, which plays loose and fast with our preconceptions.

As a mind-bending trip, the film isn’t quite as smart as it pretends to be, tipping the wink to one major plot twist far too early.

However, Boyle’s bravura direction energises every frame, eliciting strong performances from his ensemble cast led by James McAvoy, Rosario Dawson and the brooding Vincent Cassel.

Art auctioneer Simon (McAvoy) accrues massive gambling debts and agrees to clear his arrears by helping criminal Franck (Cassel) to steal Francisco Goya’s painting Witches In The Air as it goes under the hammer.

The heist goes as planned until Simon puts on a show in front of the auction house security guards by tasering Franck, and the thief retaliates by knocking Simon unconscious.

The auctioneer wakes bloodied and disoriented, suffering from severe memory loss, which is unfortunate when it transpires that the painting has gone missing and its location is buried deep within Simon’s fractured memory.

So Franck enlists the services of sexy hypnotherapist Elizabeth (Rosario Dawson) to dig deep within Simon’s subconscious and tease out the location of the stolen canvas.

To gain Simon’s trust, Elizabeth allows the auctioneer to temporarily take control of the four criminals through hypnotic suggestion.

Then the sessions begin, Elizabeth sparks an attraction with her patient which crosses professional boundaries.

Filmed on location in London, Trance takes us for a ride as much as the characters.

Boyle and cinematographer Anthony Dod Mantle don’t distinguish between reality and fantasy, so we’re never quite sure if events are unfolding as a dream.

The rest of Boyle’s film attempts a similar feat and while Trance certainly gets our pulse racing, we anticipate where the director is taking us, and for the most part, we hold on tight for the numerous hairpin twists and turns.

by Damon Smith